Nurses, spies, romance, and the Sinai and Palestine campaign

Windswept by Annabelle McCormack

 Historical Fiction Virtual Book Tours

r/suggestmeabook: I want a romance between an endearingly plucky nurse and a man who could ruin her set in Palestine and Egypt during WWI.

Movie rating: R

Pages: 440

Publisher: Self

Series: Windswept Saga

ARC provided by Historical Fiction Virtual Book Tours

WWI British Middle East Romance

From the publisher: May, 1917. Ginger Whitman left a life of wealth and privilege in England to train as a battlefield nurse and serve in the Great War. Working on the brutal frontlines in Palestine, she finds a wounded soldier hiding in her camp. The soldier claims to carry intelligence unmasking a secret plot against the British—and that traitors within British intelligence are searching for him. Desperate and dying, the soldier entrusts a coded message to her care.

Giveaway

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This action-packed romance set among British troops in Palestine and Egypt is a ripping tale. The well-bred lady becoming a nurse is fairly common, but Ginger’s ambition to be a doctor, the Middle Eastern setting, and the addition of the spy world makes this anything but a run-of-the-mill WWI romance.

Rules for good reasons. Rules that, when broken, incurred a father’s wrath for dismissing a wealthy “well-matched” marriage proposal in favor of a doctor who couldn’t help bolster her family’s estate. Rules that stopped her from entertaining thoughts of the London School of Medicine for Women in favor of a much more “sensible” nursing education.

Annabelle McCormack, Windswept

The characters are vivid and likable or hate-able (shouldn’t that be a word?) as applies. My only quibble is that the heroine, Ginger Whitman, despite both being described as and demonstrating intelligence and independence, manages to not figure out whom to distrust for a good portion of the book, even though it’s obvious to the reader about 15% into the story. Usually that uncharacteristic obliviousness drives me nuts, but Ginger is charming enough that it didn’t bother me as much.

Death made equals of cowards and heroes, friend or foe.

Annabelle McCormack, Windswept

Ginger’s inability to see what is evident to readers is explained, to some extent, by the facts of her upbringing: privileged, denied any opportunity to assert herself until the war gave her the option of nursing, and conditioned to put The Family over all. She’s often unnecessarily consumed by guilt, but that’s really not uncommon for women raised in a role of subservience (or anyone in a patriarchy).

The bleak horror of her work had numbed her to the idea of a merciful God. Why would he listen to prayers for the mundane and ignore the cries of humanity slaughtering itself?

Annabelle McCormack, Windswept

As for the looming British Mandate (1918-1948) issues, Annabelle McCormack lets the facts stand without the patriotic protagonists doing much but some questions and a sense of duty to country. After all, the conflict was a result of the Ottoman Empire’s actions, right? However, McCormack does hint at the trouble in the future as the mentioned, but not actually in the book, T.E. Lawrence is making promises to the Arabs he’s courting while the British are simultaneously making the same kinds of promises to the Zionists. (I’m slightly disappointed Gertrude Bell earned no mention, though.) It’s hard to ignore, though, as a person of our era, well aware of the bloodshed that the former colonial power wreaked on the region.

The leadership in London had never dressed wounds or held soldiers’ hands as they wept over lost limbs.

Annabelle McCormack, Windswept

However, in the context of the book, there appear to be no alternatives to those living in those times, which is a reasonable position. Even now it’s hard to come up with a solution for resisting the Germans in the Middle East during WWI without using the local interests to British advantage. It’s tempting to say that the powers that be should have done something different, as it should have been clear from the beginning that going back on promises would probably create longterm animosity, but it’s difficult to predict how different choices during WWI would have lead to better outcomes for more people. The rule of unintended consequences is a bitch.

[P]eople who feel betrayed and mistreated have a tendency to act irrationally.

Annabelle McCormack, Windswept

Windswept’s blooming romance in the midst of machinations of so many parties is a great read with characters you’ll love and hate well.


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Even a Gilded Age heiress can’t always have what she wants

The Heiress Gets a Duke by Harper St. George

 Historical Fiction Virtual Book Tours

r/suggestmeabook: I’d like a steamy Gilded Age romance between an unwilling, independent American heiress and a reluctant, flat broke English Duke.

Movie rating: R

Pages: 320

Publisher: Berkley

Series: Gilded Age Heiresses

ARC provided by Historical Fiction Virtual Book Tours

Gilded Age/Victorian romance

Giveaway

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From the publisher: American heiress August Crenshaw has aspirations. But unlike her peers, it isn’t some stuffy British Lord she wants wrapped around her finger–it’s Crenshaw Iron Works, the family business. When it’s clear that August’s outrageously progressive ways render her unsuitable for a respectable match, her parents offer up her younger sister to the highest entitled bidder instead.

If you love the chase in a romance with a good dose of sexual tension, this is your book. Harper St. George creates two strong-minded characters with different goals and does a pretty good job of not moving the constant mistaken interpretation of each other’s actions over the line into the ridiculous or annoying.

New York Society thrived on financial and social matches made in marriage, and one unwilling bride wasn’t going to change anything. A hundred unwilling brides wouldn’t change anything.

Harper St. George, The Heiress Gets a Duke

There are some really nice touches to this overall predictable story (given the title, the outcome isn’t going to be much of a surprise). There are the chapter epigraphs with quotes from writers of the era (and before), such as Mary Wollstonecraft and Benjamin Disraeli.

The sharp scent of gin, sweat, and cheap cigarette smoke tinged the air. People yelled to be heard over the cacophony of a hundred different conversation.

Harper St. George, The Heiress Gets a Duke

Her detailed descriptions evoke everything from crowded and malodorous Whitechapel to the decaying grandeur of an English country house to the perfumed press of a London Season event. I’m generally not that attuned to descriptions of fashion, but St. George did a great job of describing a dress that would shock her milieu in a way that I could both envision the dress and understand the reaction.

Unfortunately, or fortunately, depending on her mood, which changed from one minute to the next, the gown that had been delivered to their townhome last week had been far more scandalously cut than she had realized.

Harper St. George, The Heiress Gets a Duke

The two protagonists, August (I so wanted to make it Augusta) Crenshaw and Evan Sterling, the Duke of Rothschild (I also tended to giggle at this title choice) are generally likable. Their interactions are enjoyable—the fighting couple that falls in love that can be traced back at least to The Taming of the Shrew or Much Ado About Nothing. August is modern enough for us to root for but still has the disadvantages of being a woman in the latter half of the 19th century; Evan is self-aware enough that his privileged position doesn’t alienate us.

August was the bluestocking. The one who, while pretty enough, would only marry when she could find a man who could overlook her many shortcomings. She was too opinionated. Too intelligent. Too mannish.

Harper St. George, The Heiress Gets a Duke

What was more interesting to me was the other relationships these two had: August’s protective relationship with her little sister, who’s more astute than she gives her credit for; everyone’s relationship with August’s mother, an American Mrs. Bennet; Evan’s feelings about his brother and father; and the sweet relationship of Evan with his mother and sisters.

Bloody hell, this was to be his mother-in-law. Visions of endless holidays filled with her constant boasting stretched out before him. Perhaps bankruptcy would be worth it to avoid that fate.

Harper St. George, The Heiress Gets a Duke

Of all of them, the most intriguing is that of August and her father. He has allowed her to be a part of his business, keeping books and evaluating financial opportunities. She feels valued to him as a result, and this burgeoning relationship with Evan complicates August’s relationship with her father in unexpected ways. This was, to me, the emotional core of the book, and it lifts this romance out of the humdrum.

My lord, although Miss Crenshaw is my daughter, she is also a trusted employee of Crenshaw Iron Works. I trust her discretion and her advice implicitly. you did say that this was a business issue?

Harper St. George, The Heiress Gets a Duke

If you’re not a fan of explicit sex scenes, there will be quite a few bits you’ll have to flip past, but the rest of the book makes it worthwhile. if you do like them, you should find plenty here to like.

As he held it tight, something had become clear to him. He wanted to win her on his own merit. He wanted her to choose him. And, more importantly, he did not want to hurt her.

Harper St. George, The Heiress Gets a Duke

All in all, The Heiress Gets a Duke is an exemplary version of the love/hate romance with the commoner and a Duke, so if that’s a read you enjoy, put this one on your to-be-read list.


Drugs, sex, and a poisonous toad

Review: Somebody Tell Aunt Tillie She’s Dead by Christiana Miller

r/suggestmeabook: I want a mystery about a witch who is learning about her powers and trying to deal with a curse.

Movie rating: R

Pages: 372

Publisher: HekaRose Publishing

Series: The Toad Witch Mysteries

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From the publisher: Mara is having the worst month of her life. At least, that’s what her tarot cards tell her and they’ve never been wrong. Before she knows it, she’s evicted from her apartment, fired from her job and banned from Beverly Hills.

This almost feels like two different books: the first half, in Los Angeles, is the tale of Mara’s impending eviction, desperate need for cash, and a fear of exercising her magic. The second half, in Wisconsin, Mara no longer has the same pressures, no longer fears her magic, but has become involved with a haunted house.

As I flipped through the Templar deck, I noticed Lyra’s face blanching at some of the images: horned gods holding skulls, winged angelic figures challenging humans, lusty women cavorting with skeletons.

“It’s a question that’s always plagued me. Is forewarned really the same as forearmed?” I tapped the deck. “Can this give you the power to turn the Hand of Fate to your favor? Or is it just another way to ruin a perfectly good week?”

Christiana Miller, Somebody Tell Aunt Tillie She’s Dead

Mara is generally likable, and the first person narrative is breezy and fun for the most part. Mara’s bad luck, her run-ins with the judgmental Mrs. Lasio, and the backfiring of Mara’s magic is all entertaining. The second part of the book dragged a little more for me—rather than building tension, the repeated instances of supernatural heebie-jeebies got a little repetitive, and I was ready to get some explanations and resolution.

It didn’t take me long to drive through Devil’s Point. There was a small shopping district that included a mom and pop grocery store, an antique store, an old-fashioned diner, the movie theater J.J. had mentioned, and a bookstore. On the other side of the street, there was a hardware store, a thrift store, a bait-and-tackle shop and a mechanic’s shop that was right out of the 1950s, with an old-fashioned gas pump out front and vintage automobiles for sale. It really was an adorable, old-fashioned slice of Americana, preserved in time.

Christiana Miller, Somebody Tell Aunt Tillie She’s Dead

I’m a CIS hetero woman, so I can’t say how the book would affect a gay man, but there were a few things about it that gave me pause. Mara’s best friend is a gay man, and it almost devolves into the sassy gay friend trope but for the fact that Gus often saves the day (but he could be seen as the fairy godmother, so I’ll leave it up to those affected by this trope to judge). Because Gus is heavily involved in the first half, and a frequent cameo in the second, and is portrayed mostly in a positive light, it seems clear there’s no malevolent intent, but it still could be taken negatively in execution.

I still didn’t want to do it, but Gus had his heart set on being the center of attention. I had tried to talk him out of it, but it was useless. He had been dreaming of this moment ever since he got booted out of the last coven he was in. To be the biggest deal in the center of a large pagan gathering and thumb his nose at the people who had betrayed him, (at least, that was Gus’s version of events). And he had been doing so much for me this week, I just didn’t have the heart to stomp on his inner diva and destroy his fantasy. Especially after he spotted some of his ex-coven members roaming around.

Christiana Miller, Somebody Tell Aunt Tillie She’s Dead

The most problematic quote for me is the one below; the usage of “queer” in this manner by Mara, even if possibly quoting someone else, made me very uncomfortable. I can deal with pejoratives when they are used sparingly and for a particular purpose (such as illuminating the past or if the context is such that it would seem like white washing or inauthentic if it were omitted), but this didn’t seem to meet any of my internalized criteria.

But according to Lupe, the guy is a raging queer. I thought Mamma Lasio was going to wash her mouth out with laundry detergent and pool water. This place has been like a soap opera ever since they moved in and I’m the one getting evicted.

Christiana Miller, Somebody Tell Aunt Tillie She’s Dead

The quote refers to Mrs. Lasio’s priest. Again, the description may be Lupe’s (Mrs. Lasio’s daughter), but it still bugged me (clearly, or I wouldn’t be talking about it here). I can’t say categorically that it’s offensive, because it’s not my life experience here; I can just say that it bothered me.

Unlike most of the fantasy I read, this is not a wholly imagined magical system. Rather, this one appears to be derived from Wicca, as the author notes on Amazon that “For Wiccan readers, who are curious about the quarter system used in the book, this story uses the Northern Quarter system which is based in Traditional Witchcraft, rather than the Golden Dawn Quarter system, which is more widely used in Wicca.”

Ah, yes, the toad. I almost forgot. The toad is a recurring background figure, but his magical abilities are never quite substantiated. It’s unclear if he’s really doing anything or not, but as the series is named for him, I’m guessing that will be cleared up in future volumes.

Gus was beside himself. “Grundleshanks ate! Damn you, Grundleshanks. You treacherous amphibian. Traitor of the first degree. The minute my back is turned!”

“Gus, chill. It’s just a toad.”

“I have been watching him for weeks. I have fed him and watered him and watched him and waited and nothing. Nothing. He’s shy, he says. Doesn’t want to eat in public, he says. But let a pretty girl come over…” He glared at Grundleshanks. “Show-off.”

The eyeballs on top of the mud lump calmly blinked back at him.

Christiana Miller, Somebody Tell Aunt Tillie She’s Dead

Overall, Somebody Tell Aunt Tillie She’s Dead was not a book I regretted reading, but I don’t think I’ll pick any more in the series because, by the end, I’d spent enough time with Mara in Wisconsin and am happy to move on to a new world.