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Enter to win a paperback copy of The Factory Girl and the Fey by Nadine Galinsky Feldman! The giveaway is open to US addresses only and ends on October 28th. You must be 18 or older to enter.
Publication date: October 14, 2021
ARC provided by Historical Fiction Virtual Book Tours
19th century Scottish Fantasy
From the publisher: Jane Thorburn straddles two worlds: her life as a “factory girl” in Scotland’s mills, and her birthright as fairy royalty. Abandoned by her parents as an infant, and uncertain about the true motives of the Fey, she learns to depend only on herself. All she wants is to be a great weaver and to maintain her independence.
The Fair Folk, fighting for their very survival, have other plans for her, as does the handsome and charismatic Robert Stein. What life will she choose? And will she even have a choice?
A historical fantasy inspired by the author’s ancestors, The Factory Girl and the Fey is an affectionate tribute to the women who helped fuel Scotland’s Industrial Age, from the workers to the poets…and to the Fey who remind us that magic is real when we believe in it.
Beitris continued to heat the poker. In the calm voice of one who spent many, many years calming nervous young mothers, she said, “This is nae yer bairn. This is a changeling. Whit ye’ll see will look strange, cruel even, but you must trust me. Set it in the cradle noo.”
Still doubtful, Elizabeth placed the changeling in Jane’s cradle with the same care she would have given her own child. Stepping back to give the old howdiewife room was one of the hardest things she’d ever done.
Beitris grabbed the now-hot poker in both hands, wielding it like a sword between her weathered arms as she moved toward the cradle.
“Dinna hurt her!” Elizabeth cried.
Ellen grabbed hold of Elizabeth. “This isnae Jane, remember. Beitris will bring the real Jane back.”
As she held on to Elizabeth, Ellen squeezed her eyes shut in anticipation of disaster. This was all her fault. She had caused this to happen, back on the day of the baptism. Until now she had managed to shut away the memories, but now they rushed forward to taunt her.
That day dawned bright with sun and promise. Ellen arrived early to help. They dressed wee Jane in a white lace gown that had once been Elizabeth’s. Jane, tiny as a doll, swam in the dress, her head nearly disappearing amidst the layers of fabric. Ellen wished for more time to alter it, as Elizabeth was too fatigued and sad to do it herself. This would have to do, though. The town would likely gossip about the child’s ill-fitting gown, but that mattered less than giving her God’s protection as soon as possible.
Tradition called for someone to offer a gift of bread and cheese to the first person she met on the path to the church. Ellen volunteered, honored to play a role in this special ritual. Carrying Jane in one arm, light as a cloud, and the basket with the food offerings in the other, Ellen headed toward the kirk, with Elizabeth and Robert to follow a few minutes later.
Ellen didn’t have to wait long before an old man, listing to the right and hunched over a too-short walking stick, ambled toward her. His clothes were rumpled and torn, and they hung on his gaunt frame. Poor man, she thought. Apoplexy had robbed him of his dignity. As she neared him, his face twisted in a grimace. Perhaps the news of a new, precious babe would help to cheer him.
Holding the basket out toward him she said, “Good sir, we offer ye a gift from this new bairn.”
He stopped without speaking, looked at her, then at the baby, his face twisting even further into a sneer. “Pah!” He spat on the ground and walked away, leaving her standing with the basket still outstretched. Jane started to whimper and squirm.
“Sir?” Ellen pleaded to his back. “Please, sir, dinna curse the bairn this way.”
Yet he kept moving, ignoring her completely.
“Whit shall we do?” she asked Jane, her knees shaking from the encounter. Jane responded only with sleepy sucking sounds. “Well, I see ye dinna want tae help me. I’ll have tae fix this myself.”
Normally the streets bustled with activity as townspeople prepared for morning service, but today they were oddly empty. Ellen continued to murmur loving words to Jane as they walked, praying for someone else to cross their path. She walked to within a block of the kirk when a young couple appeared. The woman, not more than eighteen, was ripe with her own child.
Ellen nearly dropped to her knees in gratitude and relief. Holding out the food offering with trembling hands, she said, “Good folks, this is a gift from a new bairn that we offer ye.” She hoped she didn’t look too desperate.
“Aye, of course,” the young woman said, patting her own belly. “May I see the lass?”
Ellen held Jane up and the woman drew in a sharp breath, her eyes alight with the sight of the young beauty. Her mouth twisted and turned, not in bitterness, but rather in protection. To express a child’s beauty aloud would invite evil influences.
“Thank ye,” the woman said. “We would be honored.”
Her husband, who stood next to his wife, silent until now, accepted the basket of food, then tipped his hat and bowed to Jane. “Welcome tae the world, lass,” he said. Then the young couple continued on their way.
The baptism occurred as planned, and Ellen breathed easier, telling herself that no harm would come from tucking away the unfortunate details of the first encounter. Surely the goodwill of the young couple would render the old man’s bitterness moot and bring good fortune to the child. They would put the incident behind them, and no one needed to know.
Yet the scene unfolding in front of Ellen in the tiny flat, with a new mother numb with fright and a howdiewife wielding a hot poker, was no mere bad dream. She moved her mouth in prayer, begging for forgiveness and hoping Beitris could bring Jane back home. Then she remembered her children were present, stunned silent but wide-eyed and open-mouthed. “Go back tae the flat,” she said. “We will protect wee Jane.”
About the Author
Nadine Galinsky Feldman is an author of women’s and historical fiction. Her novel What She Knew was a finalist in the 2016 Next Generation Indie Book awards. The Foreign Language of Friends was a finalist in the 2012 Next Generation Indie Book Awards, Chick Lit category. It was also named a Gold Medal Winner, Women’s Issues, in the 2011 eLit Book Awards.
As an editor, Nadine produced Patchwork and Ornament: A Woman’s Journey of Life, Love, and Art by Jeanette Feldman, which won the 2010 Indie Excellence Award for Best Memoir.
Her first book, When a Grandchild Dies: What to Do, What to Say, How to Cope, provided grief support to an underserved population.
When not working on her many writing projects, Nadine loves traveling, gardening, genealogy, and yoga. She lives in the beautiful Hudson Valley of New York state.
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